For
the third and final part on my history with NaNoWriMo I want to share
a more in depth account of what has proven to be my most successful,
Americana Hex, but before I can get into that I have to give some
backstory.
There
was an idea that I collaborated on with some friends, a group of
writers who all thought it sounded like a good idea to come together
and create worlds. We wanted to make playgrounds for us to play in
and eventually invite other writers to join in on the fun. Each of us
came up with a small slate of settings to pitch, and as a group we
picked one from each person's slate.
We
settled upon three different settings. The first was a fantasy with a
more eastern basis, the second was a science fiction setting based
around the colonization of the solar system, and the third was my
science fiction setting built around earth's far future after things
have gone horribly wrong. The initial goal was to have something to
work with by the time NaNoWriMo rolled around.
The
settings came together in fits and starts. Work, school, and family
commitments kept things at a simmer, but the settings were all making
decent progress. As they came together, though, I noticed a hole in
our settings as well as a deficiency in my own. Thematically the two
science fiction settings were proving to be very similar, and we
didn't have anything to fill the hole of modern set fantasy like the
Dresden Files series.
I
told the rest of the group that I was going to be putting my setting
on the back burner while I worked out something in time for November.
When I made this decision I really didn't have much of a plan. What I
did have was a collection of similar things I had been reading and
watching at the time. Those things bounced around in my head,
colliding with each other until something new came. That new thing
was what would become Americana Hex.
Hex
started as one third spy story, one third fairytale, and one final
third superhero story.
I
knew it was a weird cocktail of pop culture, so I would have to be
more on top of my prepwork than I had been in the past. I also knew
that I would have to use my time wisely. November was only a few
weeks away, and I couldn't spend all my time just world building or
just plotting.
I
quickly learned that by doing the whole modern urban fantasy, a good
chunk of the heavy lifting was already being done for me. Instead of
having to worry about trying to figure out countries, kingdoms, and
empires I could concentrate on the fun things, like how magic works
and smaller scale secrets.
I
decided early that I wanted it to be about a secretive military
styled academy where dealing with magical power was the primary
concern, so those were the two areas I focused on. I also knew that
this wasn't a story about wizards but instead people more like Greek
demi-gods. There weren't going to be classes on spellcasting. Oh no,
the classes at the academy would all be about how do you deal with
someone who has supernatural speed or strength, and where does that
power come from.
With
the world of the Stoneman Academy fleshed out to my satisfaction, I
next turned my attention to the characters that would help fill its
halls. Looking at my past efforts I was very wary of a ballooning
cast and the larger scope that it would cause. To combat this, I
decided to focus on two characters and give them each a very small
and focused supporting cast.
The
first character would be the hero who was displeased with the status
quo. When it came to inspiration I ended up drawing heavily on my
little brother. This meant that he would be an artist, in particular
a graffiti artist with an interest in comics. I also knew that I
wanted him to be an immigrant, and to give him connections to some
sort of myth. I settled on a second or third generation Greek
immigrant named Hector Xenakis, or “Hex” for short.
The
other character was going to be the Draco to Hex's Harry, so I knew
that he would need to be Hex's opposite in as many fundamental ways
as possible. This process quickly lead to the creation of Sebastian
Shaw. If Hex was a rebel then Sebastian would be part of the
establishment. Hex was from a poor immigrant family, so Sebastian
would come from old money. The one area I knew I wanted them both to
overlap was that they would both be more talented and skilled than
most of their peers.
The
last step before the actual writing could take place was the plot.
This proved to be a more standard fare where I would crib a bit off
of the Hero's journey, but I still had to decide on the particulars.
What was going on at the school? What would be the crux of the
conflict? I was able to fill in these questions quickly and build the
framework of a story about rivalry, betrayal, and conflict that
wrapped up with a huge dust up in the Grand Canyon.
When
November rolled around I found myself the most prepared I had ever
been, and it showed in my writing. The words came more reliably than
any other time. The usual struggle to keep my interest in a story
didn't rear its head. That doesn't mean that it was all easy. No
matter what trying to keep up the pace to write the words needed is
always difficult.
With
the proper prep, though, it turns out it is possible to alleviate the
problems that had plagued my past attempts. Now that the history is
out there, it's time to turn my attention to that prewriting so
hopefully I can get a third story out there in the win column.
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